à la belle étoile, Amesoeurs

With the impeding tensions regarding the end of quite a tumultuous era of my academic life, I tend to listen to a range of folky acoustic tracks. My latest find in these waters is Amesoeurs. Technically they’re not “folky acoustic” at all, but the temperament they provide is pleasing nonetheless.

Amesoeurs was a French getup and their music is categorized as being post-punk (wiki). I don’t know what that means. They’re a lot like Alcest (another French group) and their music is quite interesting. I have their only album (Self-titled) which has mix good ambient moods and groovy riffs.

The album kicks off with an instrumental “Gas in Veins” followed by another fifty minutes of atmospheric riffage and the beguiling voice of Audrey Sylvain (clean) and Neige (harsh). (I preferred the former) The beguilement could also be resulting from the French, a language known to beguile. Either way, it is a beautiful mix of elements which have contributed to making one of the better albums that I have come across in the past few months.

The album is characteristic with the feature of being so subliminal due to the similar tones used, excessive merging of layers and basic chord structures. Lyrics blend in well with the colour of the entire album.

Tracks like “Faux Semblants” and “Les Ruches Malades” quite literally liven the mood up with their quick step beats and empyreal music (structure wise), but then one actually delves into what she sings and one realises one’s own naivety and the entire paradoxical scenario that was forged for the listener. The first half of the album is quite an adventure; the second half begins with “I XIII V XIX XV V XXI XVIII XIX – IX XIX – IV V I IV” which is this straight out black metal track, something out of a commercial Scandinavian band. It stands out like an off-note in an opera. And yet the rude awakening to reality is just as brutal as reality itself, quite fitting. “Video Girl” plunges one back into the familiar vertigo.

This album has shown every aspect of this band and its diversity. It was a sad day when Amesoeurs split, for they had just about everything right.

This album gets an easy 8.5/10 from me.

Cheers!

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